🎰 Casino pickup covers - Epiphone Electrics - Gibson Brands Forums
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I have an Epiphone Casino ('97 Peerless Korean). I've had the guitar setup and modded and I love the look and feel. The original pickups were terrible, very high output and muddy, so I had them rewound giving a lower output. This improved things a bit but the guitar still sounds dull, particularly the neck pickup.
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Re: Upgrading an Epiphone Casino Originally Posted by Ryan Givhan from my experience with my MIC casino (which was decent out of the box) is that it desperately needs electronics and pickup upgrades. they will improve the tone way more than the hardware. but the hardware would help too. i googled replacement bridges but ended up just putting a.
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These standard model WD® Custom Pickguards for the Epiphone® Casino® can be modified for any pickup or control configuration. If you do not see your specific model of Epiphone® Casino® listed here, or would like additional modifications not available online, speak with one of our master craftsman directly via email at [email protected], or via phone at 800.449.9348 ext#112.
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Epiphone has recreated the original black P90s using a Gibson USA P-90R dog-ear pickup for rhythm and a Gibson USA P-90T at the bridge. They also feature vintage two-conductor, braided, shielded wiring and black plastic covers. Other electronics faithful to the original Casino include a Switchcraft 3-way toggle and 1/4" output jack.
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The Epiphone Casino (also the Wildcat) is a "whole different animal" although it looks a lot like a standard dogear set. Your first decision is whether or not you want to use the chrome covers. Something to consider is that with plastic covers the pickup will have a little more high end because the metal covers will reduce the top end a little bit.
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I want black P90 covers and a black 5 ply pickguard for my vintage sunburst Casino, what P90 covers wiil fit nicelt ?. Epiphone Casino.. the pickup covers for.
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I want black P90 covers and a black 5 ply pickguard for my vintage sunburst Casino, what P90 covers wiil fit nicelt ?. Epiphone Casino.. the pickup covers for.
Enjoy!
These pickups are an inspired version of Gibson's BurstBucker, featuring unevenly wound coils and Alnico-II magnets that replicate that "Patent Applied for" airy tone.
You'll love the way they sound!
ProBuckers feature: 18% Nickel Silver unit bases and covers: This is the same alloy used by Gibson.
The use of Nickel Silver reduces the occurrence of eddy currents due to low conductivity and provides a more transparent and crisp output.
Bobbins manufactured to Gibson specifications and dimensions: The size and shape of bobbins has great impact on tonal response.
The bobbins used on these pickups duplicate the size and shape of the gold standard in the industry, Gibson humbuckers.
Elektrisola magnet wire: The same wire used by Gibson.
Single build thickness of coating on wire high quality magnet wire manufactured to NEMA National Electrical Manufacturers Association standards.
Pole screws and slugs: Manufactured to Gibson specifications, using the same metal alloys.
Also: ProBucker pickups feature Sand cast Alnico II magnets, high quality 4 conductor lead wire and are Vacuum Wax potted to eliminate microphonics.
The first generation of humbuckers used Alnico magnets for the simple reason that they were dependable, available, and gave any guitar that used them tremendous power and subtlety.
By the late 60s check this out early 70s, ceramic magnets became more readily available and as guitar-based rock became harder and edgier, the top players in all genres-- especially in the emerging genres of "metal" and "hard rock"--began looking for ways to step epiphone casino black pickup covers of the competition.
Ceramic pickups—then and now—provide an excellent alternative to Alnico pickups with their with their sharp, articulate, and more saturated tone.
Early ceramic pickup designs were often poor sounding.
Very little research or experimentation had yet taken place to discover how best to use ceramic magnets.
They were typically used as a substitute for more expensive Alnico magnets.
Even today, the mixed reception of those early designs gave ceramic magnets a bad reputation for almost a decade.
But as custom pickup designers discovered the unique characteristics of ceramic magnets, players began taking notice and pickups that used ceramic magnets started improving--and selling--in a big way.
Modern rock's need for volume, drive, and for hi-wattage amps that could maintain crunch for long shows without losing punch and clarity created an ideal need for ceramic magnets in new custom pickup designs.
As the need to drive amps further into saturation became desirable the use of Ceramic magnets to compensate for this loss of frequency response became a perfect fit.
The Les Paul Classic-T has all of the Les Paul's trademark features including a Mahogany body with a AAA Flame Maple Veneer top, a combination that has made hundreds of hit records over the last six decades.
Check out the new Les Paul Classic-T and visit your Authorized Visit web page Dealer for details.
The Sound of Innovation: Introducing Epiphone's Premier Pickups 12.
And though today's Epiphone reaches more fans around the globe than even founder Epi Stathopoulo himself could have imagined possible, at its core the "House of Stathopoulo" is not so different than it was in the 1930s.
Back then, Epi transformed his family business into one of the great instrument companies of his era and put Epiphone on the same path it's on today, innovating with the same adventurous spirit.
Today, Epiphone gives its fans--both pros and pros at heart--not only beautifully crafted instruments but also incredible sounding instruments with pickups that match or rival any of the boutique manufactures.
If you just think of Epiphone as "affordable" or a "classic name," get ready for a big surprise when you fire up an Epiphone Les Paul, Wilshire, or Casino and compare it to vintage models that cost ten times as much.
Whether you're looking for a classic tone epiphone casino black pickup covers something new, Epiphone's new line of premier pickups can take you there.
It has fooled experts, vintage purists, and even luthiers who have worked with the best vintage examples from the late 50s and early 60s.
The use of Nickel Silver reduces the occurrence of eddy currents due to low conductivity and provides a more transparent and crisp output.
The size and shape of the bobbins also has a great impact on tonal response.
The first generation of Epiphone casino black pickup covers humbuckers often called "PAF" or "Patent Applied For" for the telltale sticker found on the back has acquired a mythical status among guitar players.
Originally hand-wound, each vintage example sounds different but share the same combination of a smooth tone with colorful, edgy overtones that are as expressive as violin or viola.
The humbucker pickup was really invented, in fact, to "buck the hum," the annoying "buzz" that amplifiers and electric guitars picked up in poorly grounded bars and nightclubs.
Add to that noise the powerful signal of AM radio stations coming in and out of one's amplifier and you can understand why "bucking the hum" was a such a concern in post-war America where bands were having to turn up louder and louder to be heard over a Saturday night crowd in a honky tonk.
Initially the Les Paul Standard and its new humbucker pickup didn't take off and were made in low quantities.
In fact, the Les Paul Standard as we know it today was actually discontinued for most of the 1960s.
But the humbucker and the Les Paul Standard did not go quietly into the night.
As music fans know, guitar heroes like Eric Clapton, Michael Bloomfield, Duane Allman, and Peter Green took to the "P.
Show film which also featured James Brown in one of the great performances in rock and roll history.
Just before the show, Keith had put aside his Epiphone Casino, his main axe for a dozen early Rolling Stones hits including "Satisfaction.
And then there are a few out there rare left-handed models, artist owned, and even a few un-played Les Pauls that still have hang tags that easily approach the cost of a house in a city of your choice.
For Richard Akers, Epiphone's Director of Research and Development, securing Epiphone a place in the crowded race to produce a great Patent Applied For-style humbucker was the ultimate design challenge.
They were completely designed here in Nashville and tooled from the ground-up at a new factory dedicated to high end pickup production," said Akers.
I spent many, many hours making sure these came out great and I am really happy with the results.
While every pickup sounded fantastic and the differences were slight, Epiphone's ProBuckers were chosen as the preferred pickup by a majority 61% of the players.
Check out the video to see the challenge in action and some of the surprising results and guests!
Alnico Classic PROs are found in nouvo classics like the Epiphonetheand the.
Alnico Classic PROs are similar to ProBuckers in construction except they use Alnico-V magnets, making them higher in output for enhanced mids and highs.
The original single coil P-90 pickup was inspired by the now legendary and super rare "Charlie Christian" pickup used by the revolutionary jazz guitar player from Oklahoma who plugged in with the Benny Goodman band and transformed the guitar from a rhythm instrument to a solo instrument.
With its distinctive growl and wide range, it's great for rock and roll, pop, jazz, country, or anything you want to throw at it.
Knowing the ingredients in a fine family recipe and how they combine is very similar to how I went about producing these pickups that are synonymous with what our ears have evolved to know as the sound of Rock and Roll.
In the 60s, the Casino was heard on an incredible variety of hits including the Kinks "You Really Got Me" and virtually every Beatle recording made from 1965-1969 including "Sgt.
Pepper's Lonely Hearts Club Band," "Paperback Writer," "Revolution," and "Get Back.
It's what our ears want to hear," said Akers.
Our modern manufacturing procedures certainly give us a higher degree of consistency but it's hard to top the sound produced by the best examples of the golden era.
The first generation of humbuckers used Alnico magnets for the simple reason that they were dependable, available, and gave any guitar that used them tremendous power and subtlety.
But by the late 60s and early 70s, ceramic magnets became more readily available and as guitar-based rock became harder and edgier, the top players in all genres-- especially in the emerging genres of "metal" and "hard rock"--began looking for ways to step ahead of the competition.
Ceramic pickups--then and now--provide an excellent alternative to Alnico pickups with their sharp, articulate, and more saturated tone.
Today, modern rock's need for volume, drive, and for hi-wattage amps that could maintain crunch for long shows without losing punch and clarity created an ideal need for ceramic magnets in new custom pickup designs.
As the need to drive amps further into saturation became desirable the use of Ceramic magnets to compensate for this loss of frequency response became a perfect fit," said Epiphone's Richard Akers.
The Les Paul Classic-T has all of the Les Paul's trademark features including a Mahogany body with a AAA Flame Maple Veneer top, a combination that has made hundreds of hit records over the last six decades.
And get ready for even more surprises in 2015.
F " sound is closer than you think Over the years, the first generation of Kalamazoo-made humbuckers often called "Patent Applied For" for tell-tale sticker found on the back of the pickups have acquired a mythical status among guitar players.
There's hardly a player in the world that doesn't regard the prospect of owning or just seeing a late 50's Les Paul with these rare, impossible to find humbuckers as the ultimate electric guitar experience.
So to achieve those near-mythical tones out of a modern guitar, many players think they have to either switch out their factory installed pickups for "boutique" pickups an expensive and time consuming process or instead save up for the more serious investment of buying a vintage guitar that's far out of the typical Epiphone price range.
For Richard Akers, Epiphone's Director of Research and Development, securing Epiphone a place in the crowded and formidable race to produce a great--not just good--but great Patent Applied For-style humbucker was the ultimate challenge.
They were completely designed here in Nashville and tooled from the ground-up at a new factory dedicated to high end pickup production," said Akers.
I spent many, many hours making sure these came out great and I am really happy with the results.
That vintage sound may not be for everyone which is why we make more than one kind of humbucker.
But for devotees, having a Les Paul or archtop with ProBucker pickups provides a player with a tonal palette unmatched by any other pickup.
The ProBucker humbucker gives players the ability to seemingly erase any barrier between your imagination and what you play.
They can sound stark, grungy, clean, shimmery, creamy, bold, round, skinny--the list goes on and on.
Today, the ProBucker humbucker pickup makes Epiphone not just a near-contender but also a real contender, in fact, a bona fide option for those seeking the classic late 50s humbucker sound.
But don't take our word for it.
Naturally, we thought the finished ProBucker pickups were serious contenders.
The real test came when Akers set up a "humbucker challenge" station during Epiphone's 140th open house in July 2013.
We set up two sets of three Les Paul Standard PlusTop PROs--in Vintage Sunburst and Heritage Cherry Sunburst--and encouraged visitors to check them out.
Both groups am pierdut la casino download Les Pauls were set up with new Epiphone ProBucker pickups as well as two other very fine boutique humbuckers.
Many guests participated in the "blind" challenge including pros, guitar magazine editors, and guitar collectors.
While every pickup sounded epiphone casino black pickup covers and the differences were slight, Epiphone's ProBuckers were chosen as the preferred pickup by a majority 61% of the players.
Check out the video below to see the challenge in action and some of the surprising results and guests!
But just what is this so called "P.
The first humbuckers were installed in Les Paul Standards in 1957 at the Kalamazoo factory in Michigan and at the time were not considered to be a tonal breakthrough as much as they were a practical breakthrough.
The humbucker pickup was invented--in fact--to "buck the hum," the annoying "buzz" that amplifiers and electric guitars picked up in poorly grounded bars and nightclubs.
Add to the noise the powerful signal of AM radio stations and you can understand why "bucking the hum" was a concern.
Sometimes the buzz from guitars, amps, and PA systems could be as loud as a Saturday night crowd.
But primarily, his mission was to give guitar players a pickup that brought down the noise without sacrificing tone.
Initially the Les Paul Standard and its new humbucker pickup with a "Patent Applied For" sticker on the back didn't take off and were made in low quantities.
In fact gasps from the audiencethe Les Paul Standard, as we know it, was actually discontinued for most of the 1960s.
But the humbucker and the Les Paul Standard did not go quietly into the night.
As music fans know, guitar heroes like Eric Clapton, Michael Bloomfield, Duane Allman, and Peter Green took to the P.
Probably Keith Richards, who played a late 50's Les Paul Standard with a Bigsby on the T.
Just before the show, Keith had put aside his Epiphone Casino, his main axe for a dozen early Rolling Stones hits including "Satisfaction.
And of course, there were more legends within the legend, like the one about the P.
And for us here at Epiphone it is crucial that we do so in a way that provides the greatest value for our customers.
Knowing the ingredients in a fine family recipe and how they combine is very similar to how I went about producing these pickups that are based upon pickups synonymous with what our ears have evolved to know as THE sound of Rock and Roll, the 50s era Gibson P.
It all starts with the dimensions of the bobbins.
The shape and size of the bobbin are critical to how the pickup is going to respond.
As I mentioned, the sound of Rock and Roll has been defined in large part by the early Gibson made humbucker pickups.
We tooled up our bobbins for our Pro Series pickups to the exact dimensions of these classic Gibson pickups.
Another key ingredient to produce a top quality pickup is the use of Nickel Silver unit basses and covers.
This is crucial to achieving the transparency and high-end sparkle needed for a great pickup.
This is the one aspect of pickups used in Asian built guitars that most manufactures don't want to pay for.
It's more expensive than using plated brass but it makes a real difference.
We also use the highest quality magnet wire available, Elektrisola.
The thickness of the insulation on this wire also plays a part.
We use the thinnest available, single build.
Every aspect of these pickups was considered.
We specified the correct alloys of metal for the pole shoe, screws, and slugs.
The magnets are sand cast Alnico magnets.
All these seemingly insignificant parts add up.
The Pro Series pickups are extremely well made, high quality pickups.
People like different things.
But before you automatically assume you need to rip your pickups out of your new Epiphone Pro Series guitar and spend another couple click the following article dollars give the ProBuckers a chance.
But certainly creating not only a viable but necessary choice for those wanting the "P.
But the results, as you can see from the video, will rock your world.
As Akers notes, some of the greatest inventions were the result of part inspiration, part science, and part accident.
So when it comes to achieving a "P.
What we perceive today to be a great sounding pickup is partially great because that is the sound we grew up hearing as the definitive sound of Rock and Roll.
It's what our ears want to hear.
There is also a lot of truth to the fact that through some very intelligent engineering and also some just plain old luck Seth Lover and Gibson black double diamond slot machine payout a fantastic sounding pickup that worked extremely well in the guitars they were producing at the time.
Our modern manufacturing procedures certainly give us a higher degree of consistency but it's hard to top the sound produced by the best examples of the golden era.
The use of Nickel Silver reduces the occurrence of eddy currents due to low conductivity and provides a more transparent and crisp output.
The size and shape of bobbins also has a great impact on tonal response.
The bobbins used on the ProBucker pickups duplicate the size and shape of the gold standard in the industry, Gibson humbuckers.
Epiphone ProBucker pickups also feature Sand cast Alnico II magnets, high quality 4 conductor lead wire and are vacuum wax potted to eliminate microphonics.
So if the Epiphone ProBucker pickup can now be considered a contender for those looking for an affordable no-fuss choice in a classic humbucker sound, what's next?
That is what got us the humbucking pickup in the first place," said Akers.
I think there will be a prominent place for these classic pickup designs for many years to come but there is also room for exploration and experimentation.
It's hard to predict where technology will take us but I'm certain people will keep trying to improve upon what came before.
I've read that they are pretty much 57 Classics but I'm not sure.
People don't ask what the bobbins and base are made of.
They ask the gauge of the wire.
Epiphone hides these specs.
People don't ask what the bobbins and base are made of.
They ask the gauge of the wire.
Epiphone hides these specs.
The two bobbins were firmly held in place with four brass screws on to a nickel silver bottom plate.
A metal cover enveloped the unit and was soldered to this bottom plate to completely insulate the entire assembly according to the Faraday principle.
Thus, what could be called the " original Humbucking pick-up", was characterized by a relatively weak Alnico magnet --- Alnico II or IV --- and two coils of 5,000 turns each.
These might be close and nice but will never sound like original PAF Humbuckers, different materials, different assembly, different expectations and as I would have thought not many people have actually heard a real original PAF.
The two bobbins were firmly held in place with four brass screws on to a nickel silver bottom plate.
A metal cover enveloped the unit and was soldered to this bottom plate to completely insulate the entire assembly according to the Faraday principle.
Thus, what could be called the " original Humbucking pick-up", was characterized by a relatively weak Alnico magnet --- Alnico II or IV --- and two coils of 5,000 turns each.
These might be close and nice but will never sound like original PAF Humbuckers, different materials, different assembly, different expectations and as I would have thought not many people have actually heard a real original PAF.
Why did they go to all the trouble of matching bobbins and baseplates to get the precise makeup of the original pickups and then use wire of a different gauge which negates everything they just gained?
Why did they go to all the trouble of matching bobbins and baseplates to get the precise makeup of the original pickups and then use wire of a different gauge which negates everything they just gained?
I suppose a lot to do with marketing as any mention of PAF seems to evoke some sort of mystical aura when in fact each original PAF was different, so it's hard to replicate something that was so inconsistant: Now, it looks as though, the winding machines Gibson had in the 1950's were, not fitted with an automatic stop counter and this does explain why there are so many variances in the older pick-ups.
For this reason, it appears that the coil of the first Humbucking pick-ups can vary considerably from one unit to the other.
Certain pick-ups have up to twice 5,700 turns, and even, according to Gibson engineers twice 6,000 turns!
Naturally the DC resistance was modified and from 7.
In another respect, when creating the Humbucking pick-up, Seth Lover and Walter Fuller had first resorted to using the magnets Gibson kept in stock for single coil pick-ups, in particular those known under the reference M-55, with the dimensions of 0.
Later on the intensity of Alnico magnets used for Humbuckers pick-ups actually reached grade V while the number of turns was temporarily reduced during the 1960's, marking a new drift from the original design.
Lastly another important change around 1963 must be mentioned as it involves the quality epiphone casino black pickup covers the wire.
The gauge of the wire delivered to Gibson remained the same number 42 but it was given an insulating sheath slightly thicker than before which had a fractional influence on the capacitance and the inductance.
The "old" wire can be recognised by its dark marroon color while the "new" one is epiphone casino black pickup covers />Furthermore it seems that Gibson also changed the way of winding its pick-ups at that time undoubtedly due to the adoption of new machines.
I suppose a lot to do with marketing as any mention of PAF seems to evoke some sort of mystical aura when in fact each original PAF was different, so it's hard to replicate something that was so inconsistant: Click to expand.
One winder who had tested many of the Gibson P90s made today claimed that Gibson today had tried to copy every detail of the early P90 so much so that they were even copying the inconsistancies in winding DC resistance.
Another words the variations in current P90s dc resistance from coil to coil is deliberate number of turns.
Gibson was even copying the flawed aspect.
One winder who had tested many of the Gibson P90s made today claimed that Gibson today had tried to copy every detail of the early P90 so much so that they were even copying the inconsistancies in winding DC resistance.
Another words the variations in current P90s dc resistance from coil to coil is deliberate number of turns.
Gibson was even copying the flawed aspect.
The only thing I currently pokemon black and white 2 online game play about P-90's is that they had two flat rectangular Alnico -- II or IV -- type magnets with a coil of 10,000 turns of number 42 wire and the poles to each string were adjustable, all the info above relates to Humbuckers as I've not got to P-90's yet.
Although not sure how that works, 'consistantly make a pick-up that was inconsistant' you never knew if it was going to sound good, to you, or not, don't think that is even possible.
Yeah,more info on each model, ive got a riveara p93 custom ,with 3 p90 s,they say they have anlico magnates, but not which part or the output ,would be nice to know I own a Epi Standard Plustop "PRO".
It 's advertised Probucker pickups in.
I have both Gibson and Epiphone guitars with their respective P90's, and have owned both with their own humbuckers, too.
For the P90's I rank Epiphone's dog ear version as the best.
Gibson's dog ear's 2, with Gibson soap bars a little off from either of the dog ears.
I LIKE the gibson 490's, and the new Epiphone Alnico Classic Humbuckers and their newer '57 Classics a lot, too, with Epi's very improved over the last 10 years or so.
Cool read, continue reading stuff.
I think most people have their own version of "classic paf tone" in their heads.
I have actually heard and played real vintage pafs and the Epi '57 CH does that sound for me.
T top Gibson buckers sound alot like pafs to me too and i really think most folks couldnt tell the difference.
Oh yea the pafs i played were in a '58 Explorer!
A '61 SG Les Paul, a '60 Super 400 and a '59 EB 6.
Pretty cool stuff huh?
We own a '78 SG with pat T tops in it and it has the SOUND.
All just my opinion, naturally.
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I LOVE it! Sounds much better than the original pups and doesn't have the feedback issues of the Casino. I think it looks far better than the Casino as well. Just gotta get some new black knobs tonight. Putting in the pups took a bit of work in finding the right covers, getting the spacers and sanding out a bit of the pickup route. But I love it!
Enjoy!
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It sounds awesome and plays well but one thing that has continued to bug me to this day is the fact that the bridge pickup sits VERY close to the strings.
The pickup cover sits so close in fact that it impairs my picking and visit web page pretty much every strike against the top of the cover to be amplified.
I've looked at many other Casinos, Korean and Chinese all and they don't seem to have the same issue.
Do the size and spacing of these covers vary greatly between makers and years or is there someplace on the internet where I can epiphone casino black pickup covers a replacement pair without breaking out a ruler?
Here's my Casino sitting in the afternoon sun.
In general the bridge pickup on these guitars was considered a bit low compared to the neck pickup The ES330 has a spacer to lift the bridge pickup nearer https://eronline.ru/black/hawkeye-and-black-widow-free-online-games.html the strings It is worth checking the overall set-up to see if the string height could be raised at the bridge The P90's on Casinos and ES 330's are fixed directly to the top, so there is limited adjustment available.
It's usually the opposite in fact, I'm in the middle of making new shims for mine right now.
There are neck P90 pickups available that are shorter, epiphone casino black pickup covers the string spacing is slightly closer.
Have you had a luthier look at the neck?
I'm wondering if the bridge could be raised a little and then the neck readjusted for action height.
I keep thinking that somewhere along the line somebody made some adjustments, to lower the action, to get it to this point.
Not a problem I've heard of before.
It's usually the opposite in fact, I'm in the middle of making new shims for mine right now.
There are neck P90 pickups available that are shorter, but the string spacing is slightly closer.
Have you had a luthier look at the neck?
I'm wondering if the bridge could be raised a little and then the neck readjusted for action height.
I keep thinking that somewhere along the line somebody made some adjustments, to lower the action, to get it to this point.
I've never found anybody complaining about their Casino's bridge pickup being too high yet mine inexplicably has a little less than a US nickel's width of space between the bridge pickup and the strings.
The neck pickup is slanted and sits below the end of the neck.
I feel as if the bridge pickup is uncomfortably close to bottoming out despite the action not being what I'd describe as "low".
I've checked and can't find any shim of any sort underneath the pickup.
It's just this tall.
If I can't find a cover to purchase would I simply be able to order a new pickup from, say, Jason Lollar and install it without issue?
Do the Epiphone dogear pickups at least have the same footprint of most replacement pickups, boutique or otherwise?
I realize this is an expensive solution to my problem but I love this instrument dearly and want to make it work for me.
Any chance the two pickups have been swapped?
Can you post a picture showing the two pickups and their distance from the strings?
I've never found anybody complaining about their Casino's bridge pickup being link high yet mine inexplicably has a little less epiphone casino black pickup covers a US nickel's width of space between the bridge pickup and the strings.
The neck pickup is slanted and sits below black jack games end of the neck.
I feel as if the bridge pickup is uncomfortably close to bottoming out despite the action not being what I'd describe as "low".
I've checked and can't find any shim of any sort underneath the pickup.
It's just this tall.
If I can't find a cover to purchase would I simply be able to order a new pickup from, say, Jason Lollar and install it without issue?
Do the Epiphone dogear pickups at least have the same footprint of most replacement pickups, boutique or otherwise?
I realize this is an expensive solution to my problem but I love this instrument dearly and want to make it work for me.
You won't be able to fix the height issue by just changing the cover out.
The body for the PU is different between the bridge and neck.
Here's the problem you'll have changing out the whole pickup.
When I decided to upgrade my Casino's pickups, I talked to both Jason Lollar and Pete Biltoft both local guys for me.
They can rewind stock pickups, in which case you'd have to find one of the shorter neck pickups off of say ebay and just have them wind it a little hotter.
Believe it or not, both charge more to rewind a stock pickup than they do to build a new custom pickup.
Problem with new custom epiphone casino black pickup covers, most builders use plastic covers.
Both Jason's and Pete's websites give a good explanation on the two types of P90 sets, type 1 and type 2.
Type 1 has identical in size neck and bridge pickups.
I went with the Biltoft VintageVibe cream P90s in type 2.
I recently decided to change to type 1 black pickups instead and I'm having Pete make me a new neck PU which I should have the middle of next week.
Which means I will have a leftover type 2 P90.
PM me if you think something like that may help you, maybe we can work something out.
I've purchased several PUs from Jason and he makes a great one.
The reason I went with the VintageVibe is they are designed so that you can epiphone casino black pickup covers the magnets out fairly easily.
Anything from ALnico 2 to ceramic 8s.
There is a noticable difference.
Each PU comes with your choice of 2 magnet types.
Tons of fun to experiment.
I kinda went all over the map in my response, but I just went through this whole pickup deal looking for a solution and there aren't too many other chioces for your situation.
You might email or call Pet or jason and explain what you want to do.
They are both very friendly and free with advise.
They might have a better idea.
I've never found anybody complaining about their Casino's bridge pickup being too high yet mine inexplicably has a little less than a US nickel's width of space between the bridge pickup and the strings.
The pickup cover sits so close in fact that it impairs my picking and causes pretty much every strike against the top of the cover to be amplified My Korean Casino has a little less than a US nickel's width of space between the low E string and bridge pickup.
I don't have the problem you mention because when I play the heel of my palm is just above the bridge and the pick strokes are between the two pickups.
For your pick strokes to be hitting more info bridge pickup, you've got the heel of your palm way back close to the trapeze tailpiece brace.
I think that is unusual and because fewer people play like that you don't see similar complaints here.
My two cents is that unless you move your hand position forward, you'd be better off selling it and getting something else.
In general the bridge pickup on these guitars was considered a bit low compared to the neck pickup The ES330 has a spacer to lift the bridge pickup nearer to the strings It is worth checking the overall set-up to see if the string height could be raised at the bridge The P90's on Casinos and ES 330's are fixed directly to the top, so there is limited adjustment available.
I was thinking about getting a spacer like the 330 to raise it a bit, to even epiphone casino black pickup covers out.
Are the Gibson p90's and Epi p90's the same size, so a spacer would fit either one?
Okay guys, today and yesterday I did some hands-on research and checked out some newer, Chinese-made Casinos at a couple different Guitar Centers.
I concluded that the bridge pickup on my Casino wasn't that much higher and that I may be able to alleviate, if not eliminate the problem, by finally changing the guitar's strings and doing some tinkering.
So, I tightened the truss rod a tiny bit, raised the action and lowered the bridge pickup's magnets to a hair above the cover.
This is what it looks like now: I feel stupid for putting off a simple change of strings and even simpler work but I'm happy to say that it plays perfect now.
I always seem to underestimate the power of a setup.
Thanks for all your help.
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Epiphone presents the Casino Coup, the iconic hollowbody Casino reborn in a smaller ES-339 body size. Featuring new Epiphone Dogear P-90T Classic™ single coil pickups, a Mahogany neck, and vintage styled machine heads. Now available in Natural, Vintage Sunburst, and new Turquoise color finishes.
Enjoy!
These pickups are an inspired version of Gibson's BurstBucker, featuring unevenly wound coils and Alnico-II magnets that replicate that "Patent Applied for" airy tone.
You'll love the way they sound!
ProBuckers feature: 18% Nickel Silver unit bases and covers: This is the same alloy used by Gibson.
The use of Nickel Silver reduces the occurrence of eddy currents due to low conductivity and provides a more transparent and crisp output.
Bobbins manufactured to Gibson specifications and dimensions: The size and shape of bobbins has great impact on tonal response.
The bobbins used on these pickups duplicate the size and shape of the gold standard in the industry, Gibson humbuckers.
Elektrisola magnet wire: The same wire used by Gibson.
Single build thickness of coating on wire high quality magnet wire manufactured to NEMA National Electrical Manufacturers Association standards.
Pole screws and slugs: Manufactured to Gibson specifications, using the same metal alloys.
Also: ProBucker pickups feature Sand cast Alnico II magnets, high quality 4 conductor lead wire and are Vacuum Wax potted to eliminate microphonics.
The first generation of humbuckers used Alnico magnets for the simple reason that they were dependable, available, and gave any guitar that used them tremendous power and subtlety.
By the late 60s and early 70s, ceramic magnets became more readily available and as guitar-based rock became harder and edgier, the top players in all genres-- especially in the emerging genres of "metal" and "hard rock"--began looking for ways to step ahead of the competition.
Ceramic pickups—then and now—provide an excellent alternative to Alnico pickups with their with their sharp, articulate, and more saturated tone.
Early ceramic pickup designs were often poor sounding.
Very little research or experimentation had yet taken place to discover how best to use ceramic magnets.
They were typically used as a substitute for more expensive Alnico magnets.
Even today, the mixed reception of those early designs gave ceramic magnets a bad reputation for almost a decade.
But as custom pickup designers discovered the unique characteristics of ceramic magnets, players began taking notice and pickups that used ceramic magnets started improving--and selling--in a big way.
Modern rock's need for volume, drive, and for hi-wattage amps that could maintain crunch for long shows without losing punch and clarity created an ideal need for ceramic magnets in new custom pickup designs.
As the need to drive amps further into saturation became desirable the use of Ceramic magnets to compensate for this loss of frequency response became a please click for source fit.
The Les Paul Classic-T has all of the Les Paul's trademark features including a Mahogany body with a AAA Flame Maple Veneer top, a combination that has made hundreds of hit records over the last six decades.
Check out the new Les Paul Epiphone casino black pickup covers and visit your Authorized Epiphone Dealer pearls casino black details.
The Sound of Innovation: Introducing Epiphone's Premier Pickups 12.
And though today's Epiphone reaches more fans around the globe than even founder Epi Stathopoulo himself could have imagined possible, at its core the "House of Stathopoulo" is not so different than it was in the 1930s.
Back then, Epi transformed his family business into one of the great instrument companies of his era and put Epiphone on the same path it's on today, innovating with the same adventurous spirit.
Today, Epiphone gives its fans--both pros and pros at heart--not only beautifully crafted instruments but also incredible sounding instruments with pickups that match or rival any of the boutique manufactures.
If you just think of Epiphone as "affordable" or a "classic name," get ready for a big surprise when you fire up an Epiphone Les Paul, Wilshire, or Casino and compare it to vintage models that cost ten times as much.
Whether you're looking for a classic tone or something new, Epiphone's new line of premier pickups can take you there.
It has fooled experts, vintage purists, and even luthiers who have worked with the best vintage examples from the late 50s and early 60s.
The use of Nickel Silver reduces the occurrence of eddy currents due to low conductivity and provides casino black n mild more transparent and crisp output.
The size and shape of the bobbins also has a great impact on tonal response.
The first generation of Kalamazoo-made humbuckers often called "PAF" or "Patent Link For" for the telltale sticker found on the back has acquired a mythical status among guitar players.
Originally hand-wound, each vintage example sounds different but share epiphone casino black pickup covers same combination of a smooth tone with colorful, edgy overtones that are as expressive as violin or viola.
The humbucker pickup was really invented, in fact, to "buck the hum," the annoying "buzz" that amplifiers and electric guitars picked up in poorly grounded bars and nightclubs.
Add to that noise the powerful signal of AM radio stations coming in and out of one's amplifier and you can understand why "bucking the hum" was a such a concern in post-war America where bands were having to turn up louder and louder to be heard over a Saturday night crowd in a honky tonk.
Initially the Les Paul Standard and its new humbucker pickup didn't take off and were made in low quantities.
In fact, the Les Paul Standard as we know it today was actually discontinued for most of the 1960s.
But the humbucker epiphone casino black pickup covers the Les Paul Standard did not go quietly into the night.
As music fans know, guitar heroes like Eric Clapton, Michael Bloomfield, Duane Allman, and Peter Green took to the "P.
Show film which also featured James Brown in one of the great performances in rock and roll history.
Just before the show, Keith had put aside his Epiphone Casino, his main axe for a dozen early Rolling Stones hits including "Satisfaction.
And then there are a few out there rare left-handed models, artist owned, and even a few un-played Les Pauls that still have hang tags that easily approach the cost of a house in a city of your choice.
For Richard Akers, Epiphone's Director of Research and Development, securing Epiphone a place in the crowded race to produce a great Patent Applied For-style humbucker was the ultimate design challenge.
They were completely designed here in Nashville and tooled from the ground-up at a new factory dedicated to high end pickup production," said Akers.
I spent many, many hours making sure these came out great and I am really happy with the results.
While every pickup sounded fantastic and the differences were slight, Epiphone's ProBuckers were chosen as the preferred pickup by a majority 61% of the players.
Check out the video to see the challenge in action and some of the surprising results and guests!
Alnico Classic PROs are found in nouvo classics like the Epiphonetheand the.
Alnico Classic PROs are similar to ProBuckers in construction except they use Alnico-V magnets, making them higher in output for enhanced mids and highs.
The original single this web page P-90 pickup was inspired by the now legendary and super rare "Charlie Christian" pickup used by the revolutionary jazz guitar player from Oklahoma who plugged in with the Benny Goodman band and transformed the guitar from a rhythm instrument to a solo instrument.
With its distinctive growl and wide range, it's great for rock and roll, pop, jazz, country, or anything you epiphone casino black pickup covers to throw at it.
Knowing the ingredients in a fine family recipe and how they combine is very similar to how I went about producing these pickups that are synonymous with what our ears have evolved to know as the sound of Rock and Roll.
In the 60s, the Casino was heard on an incredible variety of hits including the Kinks "You Really Got Me" and virtually every Beatle recording made from 1965-1969 including "Sgt.
Pepper's Lonely Hearts Club Band," "Paperback Writer," "Revolution," and "Get Back.
It's what our ears want to hear," said Akers.
Our modern manufacturing procedures certainly give us a higher degree of consistency but it's hard to top the sound produced by the best examples of the golden era.
The first generation of humbuckers used Alnico magnets for the simple reason that they were dependable, available, and gave any guitar that used them tremendous power and subtlety.
But by the epiphone casino black pickup covers 60s and early 70s, ceramic magnets became more readily available and as guitar-based rock became harder and edgier, the top players in all genres-- especially in the emerging genres of "metal" and "hard rock"--began looking for ways to step ahead of the competition.
Ceramic pickups--then and now--provide an excellent alternative to Alnico pickups with their sharp, articulate, and more saturated tone.
Today, modern rock's need for volume, drive, and for hi-wattage amps that could maintain crunch for long shows without losing punch and clarity created an ideal need for ceramic magnets in new custom pickup designs.
As the need to drive amps further into saturation became desirable the use of Ceramic magnets to compensate for this loss of frequency response became a perfect fit," said Epiphone's Richard Akers.
The Les Paul Classic-T has all of the Les Paul's trademark features including a Mahogany body with a AAA Flame Maple Veneer top, a combination that has made hundreds of hit records over the last six decades.
And get ready for even more surprises in 2015.
F " sound is closer than you think Over the years, the first generation of Kalamazoo-made humbuckers often called "Patent Applied For" for tell-tale sticker found on the back of the pickups have acquired a mythical status among guitar players.
There's hardly a player in the world that doesn't regard the prospect of owning or just seeing a late 50's Les Paul with these rare, impossible to find humbuckers as the ultimate electric guitar experience.
So to achieve those near-mythical tones out of a modern guitar, many players think they have to either switch out their factory installed pickups for "boutique" pickups an expensive and time consuming process or instead save up for the more serious investment of buying a vintage guitar that's far out of the typical Epiphone price range.
For Richard Akers, Epiphone's Director of Research and Development, securing Epiphone a place in the crowded and formidable race to produce a great--not just good--but great Patent Applied For-style humbucker was the ultimate challenge.
They were completely designed here in Nashville and tooled from the ground-up at a new factory dedicated to high end pickup production," said Akers.
I spent many, many hours making sure these came out great and I am really happy with the results.
That vintage sound may not be for everyone which is why we make more than one kind of humbucker.
But for devotees, having a Les Paul or archtop with ProBucker pickups provides a player with a tonal palette unmatched by any other pickup.
The ProBucker humbucker gives players the ability to seemingly erase any barrier between your imagination and what you play.
They can sound stark, grungy, clean, shimmery, creamy, bold, round, skinny--the list goes on and on.
Today, the ProBucker humbucker pickup makes Epiphone not just a near-contender but also a real contender, in fact, a bona fide option for those seeking the classic late 50s humbucker sound.
But don't take our word for it.
Naturally, we thought the finished ProBucker pickups were serious contenders.
The real test came when Akers set up a "humbucker challenge" station during Epiphone's 140th open house in July 2013.
We set up two sets of three Les Paul Standard PlusTop PROs--in Vintage Sunburst and Heritage Cherry Sunburst--and encouraged visitors to check them out.
Both groups of Les Pauls were set up with new Epiphone ProBucker pickups as well as two other very fine boutique humbuckers.
Many guests participated in the "blind" challenge including pros, guitar magazine editors, and guitar collectors.
While every pickup sounded fantastic and the differences were slight, Epiphone's ProBuckers were chosen as the preferred pickup by a majority 61% of the players.
Check out the video below to see the challenge in action and some of the surprising results and guests!
But just what is this so called "P.
The first humbuckers were installed in Les Paul Standards in 1957 at the Kalamazoo factory in Michigan and at the time were not considered to be a tonal breakthrough as much as they were a practical breakthrough.
The humbucker pickup was invented--in fact--to "buck the hum," the annoying "buzz" that amplifiers and electric guitars picked up in poorly grounded bars and nightclubs.
Add to the noise the powerful signal of AM radio stations and you can understand why "bucking the hum" was a concern.
Sometimes the buzz from guitars, amps, and PA systems could be as loud as a Saturday night crowd.
But primarily, his mission was to give guitar players a pickup that brought down the noise without sacrificing tone.
Initially the Les Paul Standard and its new humbucker pickup with a "Patent Applied For" sticker on the back didn't take off and were made in low quantities.
In fact gasps from the audiencethe Les Paul Standard, as we know it, was actually discontinued for most of the 1960s.
But the humbucker and the Les Paul Standard did not go quietly into the night.
As music fans know, guitar heroes like Eric Clapton, Michael Bloomfield, Duane Allman, and Peter Green took to the P.
Probably Keith Richards, who played a late 50's Les Paul Standard with a Bigsby on the T.
Just before the show, Keith had put aside his Epiphone Casino, his main axe for a dozen early Rolling Stones hits including "Satisfaction.
And of course, there were more legends within the legend, like the one about the P.
And for us here at Epiphone it is crucial that we do so in a way that provides the greatest value for our customers.
Knowing the ingredients in a fine family recipe and how they combine is very similar to how I went about producing these pickups that are based upon pickups synonymous with what our ears have evolved to know as THE sound of Rock and Roll, the 50s era Gibson P.
It all starts with the dimensions of the bobbins.
The shape and size of the bobbin are critical to how the pickup is going to respond.
As I mentioned, the sound of Rock and Roll has been defined in large part by the early Gibson made humbucker pickups.
We tooled up our bobbins for our Pro Series pickups to the exact dimensions of these classic Gibson pickups.
Another key ingredient to produce a top quality pickup is the use of Nickel Silver unit basses and covers.
This is crucial to achieving the transparency and high-end sparkle needed for a great pickup.
This is the one aspect of pickups used in Asian built guitars that most manufactures don't want to pay for.
It's more expensive than using plated brass but it makes a real difference.
We also use the highest quality magnet wire available, Elektrisola.
The thickness of the insulation on this wire also plays a part.
We use the thinnest available, single build.
Every aspect of these pickups was considered.
We specified the correct alloys of metal for the pole shoe, screws, and slugs.
The magnets are sand cast Alnico magnets.
All these seemingly insignificant parts add up.
The Pro Series pickups are extremely well made, high quality pickups.
People like different things.
But before you automatically assume you need to rip your pickups out of your new Epiphone Pro Series guitar and spend another couple hundred dollars give the ProBuckers a chance.
But certainly creating not only a viable but necessary choice for those wanting the "P.
But the results, as you can see from the video, will rock your world.
As Akers notes, some of the greatest inventions were the result apologise, casino game black red can part inspiration, part science, and part accident.
So when it comes to achieving a "P.
What we perceive today to be a great sounding pickup is partially great because that is the sound we grew up hearing as the definitive sound of Rock and Roll.
It's what our ears want to hear.
There is also a lot of truth to the fact that through some very intelligent engineering and also some just plain old luck Seth Lover and Gibson created a fantastic sounding pickup that worked extremely well in the guitars they were producing at the time.
Our modern manufacturing procedures certainly give us a higher degree of consistency but it's hard to top the sound produced by the best examples of the golden era.
The use of Nickel Silver reduces the occurrence of eddy currents due to low conductivity and provides a more transparent and crisp output.
The size and shape of bobbins also has a great impact on tonal response.
The bobbins used on the ProBucker pickups duplicate the size and shape of the gold standard in the industry, Gibson humbuckers.
Epiphone ProBucker pickups also feature Sand cast Alnico II magnets, high quality 4 conductor lead wire and are vacuum wax potted to eliminate microphonics.
So if the Epiphone ProBucker pickup can now be considered a contender for those looking for an affordable no-fuss choice in a classic humbucker sound, what's next?
That is what got us the humbucking pickup in the first place," said Akers.
I think there will be a prominent place for these classic pickup designs for many years to come but there is also room for exploration and experimentation.
It's hard to predict where technology will take us but I'm certain people will keep trying to improve epiphone casino black pickup covers what came before.
I've read that they are pretty much 57 Classics but I'm not sure.
People don't ask what the bobbins and base are made of.
They ask the gauge of the wire.
Epiphone hides these specs.
People don't ask what the bobbins and base are made of.
They ask the gauge of the wire.
Epiphone hides these specs.
The two bobbins were firmly held in place with four brass screws on to a nickel silver bottom plate.
A metal cover enveloped the unit and was soldered to this bottom plate to completely insulate the entire assembly according to the Faraday principle.
Thus, what could be called the " original Humbucking pick-up", was characterized by a relatively weak Alnico magnet --- Alnico II or IV --- and two coils of 5,000 turns each.
These might be close and nice but will never sound like original PAF Humbuckers, different materials, different assembly, different expectations and as I would have thought not many people have actually heard a real original PAF.
The two bobbins were firmly held in place with four brass screws on to a nickel silver bottom plate.
A metal cover enveloped the unit and was soldered to this bottom plate to completely insulate the entire assembly according to the Faraday principle.
Thus, what could be called the " original Humbucking pick-up", was characterized by a relatively weak Alnico magnet --- Alnico II or IV --- and two coils of 5,000 turns each.
These might be close and nice but will never sound like original PAF Humbuckers, different materials, different assembly, different expectations and as I would have thought not many people have actually heard a real original PAF.
Why did they go to all the trouble of matching bobbins and baseplates to get the precise makeup of the original pickups and then use wire of a different gauge which negates everything they just gained?
Why did they go to all the trouble of matching bobbins and baseplates to get the precise makeup of the original pickups and then use wire of a different gauge which negates everything they just gained?
I suppose a lot to do with marketing as any mention of PAF seems to evoke some sort of mystical aura when in fact each original PAF was different, so it's hard to replicate something that was so inconsistant: Now, it looks as though, the winding machines Gibson had in the 1950's were, not fitted with an automatic stop counter and this does explain why there are so many variances in the older pick-ups.
For this reason, it appears that the coil of the first Humbucking pick-ups can vary considerably from one unit to the other.
Certain pick-ups have up to twice 5,700 turns, and even, according to Gibson engineers twice 6,000 turns!
Naturally the DC resistance was modified and from 7.
In another respect, when creating the Humbucking pick-up, Seth Lover and Walter Fuller had first resorted to using the magnets Gibson kept in stock for single coil pick-ups, in particular those known under the reference M-55, with the dimensions of 0.
Later on the intensity of Alnico magnets used for Humbuckers pick-ups actually reached grade V while the number of turns was temporarily reduced during the 1960's, marking a new drift from the original design.
Lastly another important change around 1963 must be mentioned as it involves the quality of the wire.
The gauge of the wire delivered to Gibson remained the same number 42 but it was given an insulating sheath slightly thicker than before which had a fractional influence on the capacitance and the inductance.
The "old" wire can be recognised by its dark marroon color while the "new" one is black.
Furthermore it seems that Gibson also changed the way of winding its pick-ups at that time undoubtedly due to the adoption of new machines.
I suppose a lot to do with marketing as any mention of PAF seems to evoke some sort of mystical aura when in fact each original PAF was different, so it's hard to replicate something that was so inconsistant: Click to expand.
One winder who had tested many of the Gibson P90s made today claimed that Gibson today had tried to copy every detail of the early P90 so much so that link were even copying the inconsistancies in winding DC resistance.
Another words the variations in current P90s dc resistance from coil to coil is deliberate number of turns.
Gibson was even copying the flawed aspect.
One winder who had tested many of the Gibson P90s made today claimed that Gibson today had tried to copy every detail of the early P90 so much so that they were even copying the inconsistancies in winding DC resistance.
Another words the variations in current P90s dc resistance from coil to coil is deliberate number of turns.
Gibson was even copying the flawed aspect.
The only thing I currently know about P-90's is that they had two flat rectangular Alnico -- II or IV -- type magnets with a coil of 10,000 turns of number 42 wire and the poles to each string were adjustable, all the info above relates to Humbuckers as I've not got to P-90's yet.
Although not sure how that works, 'consistantly make a pick-up that was inconsistant' you never knew if it was going to sound good, to you, or not, don't think that is even possible.
Yeah,more info on each model, ive got a riveara p93 custom ,with 3 p90 s,they say they have anlico magnates, but not which part or the output ,would be nice to know I own a Epi Standard Plustop "PRO".
It 's advertised Probucker pickups in.
I have both Gibson and Epiphone guitars with their respective P90's, and have owned both with their own humbuckers, too.
For the P90's I rank Epiphone's dog ear version as the best.
Gibson's dog ear's 2, with Gibson soap bars a little off from either of the dog ears.
I LIKE the gibson 490's, and the new Epiphone Alnico Classic Humbuckers and their newer '57 Classics a lot, too, with Epi's very improved over the last 10 years or so.
Cool read, interesting stuff.
I think most people have their own version of "classic paf tone" in their heads.
I have actually heard and played real vintage pafs and the Epi '57 CH does that sound for me.
T top Gibson buckers sound alot like pafs to me too and i really think most folks couldnt tell the difference.
Oh yea the pafs i played were in a '58 Explorer!
A '61 SG Les Paul, a '60 Super 400 and a '59 EB 6.
Pretty cool stuff huh?
We own a '78 SG with pat T tops in it and it has the SOUND.
All just my opinion, naturally.
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Black pickup covers. Metal peghead Epiphone logo tortoise pickguard. 1962 Casino specs: Pearl inlaid Epiphone peghead logo. 1963 Casino specs: Single parallelogram fingerboard inlays. Nickel plated pickup covers. White pickguard. 1965 Casino specs: Chrome plated pickup covers and other parts. 1967 Casino specs: Cherry finish optional.
Enjoy!
In ’61, a model similar to the Gibson ES-330 showed up in the Epiphone line as the Casino. Structurally, the Casino was the same as the ES-330, with a thinline, double-cutaway hollow body. Functionally, too, it was the same guitar, with one or two “dog-ear” P-90 pickups (with black covers), a Tune-O-Matic bridge, and a trapeze tailpiece.
Enjoy!
The Epiphone Casino Electric Guitar is the guitar that put Epiphone on the map. Ever since The Beatles purchased three Casinos back in 1964, this hollow Epi model has taken on a life of its own. Equipped with two vintage P-90 single-coil pickups, the Casino still delivers those Beatlesque tones at a price every player can afford.
Enjoy!
Epiphone is well loved by many for their semi-hollow bodies, their range of selection and affordable prices. You may be ready to pull the trigger your first Les Paul style guitar but your credit card may refuse such a purchase – an Epiphone LP is a good alternative. After getting their hands on an.
Enjoy!
Lollar neck p90 Gibson bridge P90 pick up Bone nut.
Enjoy!
It sounds awesome and plays well but one thing that has continued to bug me to this day is the fact that the bridge pickup sits VERY close to the strings.
The pickup cover sits so close in fact that it impairs my picking and causes pretty much every strike against the top of the cover to be amplified.
I've looked at many other Casinos, Korean and Chinese all and they don't seem to have the same issue.
Do the size and spacing of these covers vary greatly between makers and years or is there someplace on the internet where I can get a replacement pair without breaking out a ruler?
Here's my Casino sitting in the afternoon sun.
In general the bridge pickup on these guitars was considered a bit low compared to the neck pickup The ES330 has a spacer to lift the bridge pickup nearer to the strings It is worth checking the overall set-up to see if the string height could be raised at the bridge The P90's on Black n gold games and ES 330's are fixed directly to the top, so there is limited adjustment available.
It's usually the opposite in fact, I'm in the middle of making new shims for mine right now.
There are neck P90 pickups available that are shorter, but the string spacing is slightly closer.
Have you had a luthier look at the neck?
I'm wondering if the bridge could be raised a little and then the neck readjusted for action height.
I keep thinking that somewhere along epiphone casino black pickup covers line somebody made some adjustments, to lower the action, to get it to this point.
Not a problem I've heard of before.
It's usually the opposite in fact, I'm in the middle of making new shims for mine right now.
There are neck P90 more info available that are shorter, but the string spacing is slightly closer.
Have you had a luthier look at the neck?
I'm wondering if the bridge could be raised a little and then the neck readjusted for action height.
I keep thinking that somewhere along the line somebody made some adjustments, to lower the action, to get it to this point.
I've never found anybody complaining about their Casino's bridge pickup being too high yet mine inexplicably has a little less than a US nickel's width of space between the bridge pickup and the strings.
The neck pickup is slanted and sits below the end of the neck.
I feel as if the bridge pickup is uncomfortably close to bottoming out despite the action not being what I'd describe as "low".
I've checked and can't find any shim of any sort underneath the pickup.
It's just this tall.
If I can't find a cover to purchase would I simply be able to order a new pickup from, say, Jason Lollar and install it without issue?
Do the Epiphone dogear pickups at least have the same footprint of most replacement pickups, boutique or otherwise?
I realize this is an expensive solution to my problem but I love this instrument dearly and want to make it work for me.
Any chance the two pickups have been swapped?
Can you post a picture showing the two pickups and their distance from the strings?
I've never found anybody complaining about their Casino's bridge pickup https://eronline.ru/black/slotomania-bonus-collector-for-facebook.html too high yet mine inexplicably has a little less than a US nickel's width of space between the bridge pickup and the strings.
The neck pickup is slanted and sits below the end of the neck.
I feel as if the bridge pickup is uncomfortably close to bottoming out despite the action not being what I'd describe as "low".
I've checked and can't find any shim of any sort underneath the pickup.
It's just this tall.
If I can't find a cover to purchase would I simply be able to order a new pickup from, say, Jason Lollar and install it without issue?
Do the Epiphone dogear pickups at least have the same footprint of most replacement pickups, boutique or otherwise?
I realize this is an expensive solution to my problem but I love this instrument dearly and want to make it work for me.
You won't be able to fix the height issue by just changing the cover out.
The body for the PU is different between the bridge and neck.
Here's the problem you'll have changing out the whole pickup.
If you want to keep the cover chrome, you'll be very limited on what you can use.
When I decided to upgrade my Casino's pickups, I talked to both Jason Lollar and Pete Biltoft both local guys for me.
They can rewind stock pickups, in which case you'd have to find one of the shorter neck pickups off of say ebay and just have them wind it a little hotter.
Believe it or not, both charge more to rewind a stock pickup than they do to build a new custom pickup.
Problem with new custom is, most builders use plastic covers.
Both Jason's and Pete's websites give a good explanation on the two types of P90 sets, type 1 and type 2.
Type 1 has identical in size neck and bridge pickups.
I went with the Biltoft VintageVibe cream Epiphone casino black pickup covers in type 2.
I recently decided to change to type 1 black pickups instead and I'm having Pete make me a new neck PU which I should have the middle of next week.
Which means I will have a leftover type 2 P90.
PM me if you think something like that may help you, maybe we can work something out.
I've purchased several PUs from Jason and he makes a great one.
The reason I went with the VintageVibe is they are designed so that you can change the magnets out fairly easily.
Anything from ALnico 2 to ceramic 8s.
There is a noticable difference.
Each PU comes with your choice of 2 magnet types.
Tons of fun casino game black red experiment.
I kinda went all over the map in my response, but I just went through this whole pickup deal looking for a solution and there aren't too many other chioces for your situation.
You might email or call Pet or jason and explain what you want to do.
They are both very friendly and free with advise.
They might have a better idea.
I've never epiphone casino black pickup covers anybody complaining about their Casino's bridge pickup being too high yet mine inexplicably has a little less than a US nickel's width of space between the bridge pickup and the strings.
The pickup cover sits so close in fact that it impairs my picking and causes pretty much every strike against the top of the cover to be amplified My Korean Casino has a little less than a US nickel's width of space between the low E string and bridge pickup.
I don't have the problem you mention because when I play the heel of my palm is just above the bridge and the pick strokes are between the two pickups.
For your pick strokes to be hitting the bridge pickup, you've got the heel of your palm way back close to the trapeze tailpiece brace.
I think that is unusual and because fewer people play like that you don't see similar complaints here.
My two cents is that unless you move your hand position forward, you'd be better off selling it and getting something else.
In general the bridge pickup on these guitars was considered a bit low epiphone casino black pickup covers to the neck pickup The ES330 has a spacer to lift the bridge pickup nearer to the strings It is worth checking the overall set-up to see if the string height could be raised at the bridge The P90's on Casinos and ES 330's are fixed directly to the top, so there is limited adjustment available.
I was thinking about getting a spacer like the 330 to raise it a bit, to even go here out.
Are the Gibson p90's and Epi p90's the same size, so a spacer would fit either one?
Okay guys, today and yesterday I did some hands-on research and checked see more some newer, Chinese-made Casinos at a couple different Guitar Centers.
I concluded that the bridge pickup on my Casino wasn't that much higher and that I may be able to alleviate, if not eliminate the problem, by finally changing the guitar's strings and doing some tinkering.
So, I tightened the truss rod a tiny bit, raised the action and lowered the bridge pickup's magnets to a hair above the cover.
This is what it looks like now: I feel stupid for putting off a simple change of strings and even simpler work but I'm happy to say that it plays epiphone casino black pickup covers now.
I always seem to underestimate the power of a setup.
Thanks for all your epiphone casino black pickup covers />Join the conversation You can post now and register later.
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I want black P90 covers and a black 5 ply pickguard for my vintage sunburst Casino, what P90 covers wiil fit nicelt ?. Epiphone Casino.. the pickup covers for.
Enjoy!
💰 epiphone casino black | eBay
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Our Casino’s serial number – 37361 – and trapeze tailpiece suggest that it is one of the 176 E230TD models to leave the Kalamazoo factory in 1961, and its dot fingerboard inlays, black pickup covers and ‘short’ headstock are also period correct. The Casino’s three-ply scratchplate is original, as is the switch tip
Enjoy!
It sounds awesome and plays well but one thing that has continued to bug me to this day is the fact that the bridge pickup sits VERY close to the strings.
The pickup cover sits so close in fact that it impairs my picking and causes pretty much every strike against the top of the cover to be amplified.
I've looked at many other Casinos, Korean and Chinese all and they don't seem to have the same issue.
Do the size and spacing of these covers vary greatly between makers and years or is there someplace on the internet where I can get a replacement pair without breaking out a ruler?
Here's my Casino sitting in the afternoon sun.
In general the bridge pickup on these guitars was considered a bit low compared to the neck pickup The ES330 has a spacer to lift the bridge pickup nearer to the strings It is worth checking the overall set-up to see if the string height could be raised at the bridge The P90's on Casinos and ES 330's are fixed directly to the top, so there is limited adjustment available.
It's usually the opposite in fact, I'm in the middle of making new shims for mine right https://eronline.ru/black/black-forest-online-game.html />There are neck P90 pickups available that are shorter, but the string spacing is slightly closer.
Have you had a luthier look at the neck?
I'm wondering if the bridge could be raised a little and then the neck readjusted for action height.
I keep thinking that somewhere along the line somebody made some adjustments, to lower the action, to get it to this point.
Not a problem I've heard of before.
It's usually the opposite in fact, I'm in the middle of making new shims for mine right now.
There see more neck P90 pickups available that are shorter, but the string spacing is slightly closer.
Have you had a luthier look at the neck?
I'm wondering if the bridge could be raised a little and then the neck readjusted for action height.
I keep thinking that somewhere along the line somebody made some adjustments, to lower the action, to get it to this point.
I've never found anybody complaining about their Casino's bridge pickup being too high yet mine inexplicably has a little less than a US nickel's width of space between the bridge pickup and the strings.
The neck pickup is slanted and sits below the end of the neck.
I feel as if the bridge pickup is uncomfortably close to bottoming out despite the action not being what I'd describe as "low".
I've checked and can't find any shim of any sort underneath the pickup.
It's just this tall.
If I can't find a cover to purchase would I simply be able to order a new pickup from, say, Jason Lollar and install it without issue?
Do the Epiphone dogear pickups at least have the same footprint of most replacement pickups, boutique or otherwise?
I realize this is an expensive solution to my problem but I love this instrument dearly and want to make it work for me.
Any chance the two pickups have been swapped?
Can you post a picture showing the two pickups and their distance from the strings?
I've never found anybody complaining about their Casino's bridge pickup being too high yet mine inexplicably has a little less than a US nickel's width of space between the bridge pickup and the strings.
The neck pickup is slanted and sits below the end of the neck.
I feel as if the bridge pickup is uncomfortably close to bottoming out despite the action not being what I'd describe as "low".
I've checked and can't find any shim of any sort underneath the pickup.
It's just this tall.
If I can't find a cover to purchase would I simply be able to order a new pickup from, say, Jason Lollar and install it without issue?
Do the Epiphone dogear pickups at least have the same footprint of most replacement pickups, boutique or otherwise?
I realize this is an expensive solution to my problem but I love this instrument dearly and want to make it work for me.
You won't be able to fix the height issue by just changing the cover out.
The body for the PU is different between the bridge and neck.
Here's the problem you'll have changing out the whole pickup.
If you want to keep the cover chrome, you'll be very limited on what you can use.
When I decided to upgrade my Casino's pickups, I talked to both Jason Lollar and And casino red woodbridge black Biltoft both local guys for me.
They can rewind stock pickups, in which case you'd have to find one of the shorter neck pickups off of say ebay and just have them wind it a little hotter.
Believe it or not, both charge more to rewind a stock pickup than they do to build a new custom pickup.
Problem with new custom is, most builders use plastic covers.
jailbreak free ps3 download Jason's and Pete's websites give a good explanation on the two types of P90 sets, type 1 and type 2.
Type 1 has identical in size neck and bridge pickups.
I went with the Biltoft VintageVibe cream P90s in epiphone casino black pickup covers 2.
I recently decided to change to type 1 black pickups instead and I'm having Pete make me a new neck PU which I should have the middle of next week.
Which means I will have a leftover type 2 P90.
PM me if you think something like that may help you, maybe we can work something out.
I've purchased several PUs from Jason and he makes a great one.
The reason I went with the VintageVibe is they are designed so that you can change the magnets out fairly easily.
Anything from ALnico 2 to ceramic 8s.
There is a noticable difference.
Each PU comes with your choice epiphone casino black pickup covers 2 magnet types.
Tons of fun to experiment.
I kinda went all over the map in my response, but I just went through this whole pickup deal looking for a solution and there aren't too many other chioces for your situation.
You might email or call Pet or jason and explain what you want to do.
They are both very friendly and free with advise.
They might have a epiphone casino black pickup covers idea.
I've never found anybody complaining about their Casino's bridge pickup being too high yet mine inexplicably has a little less than a US nickel's width of space between the bridge pickup and the strings.
The pickup cover sits so close in fact that it impairs my picking and causes pretty much every strike against the top of the cover to be amplified My Korean Casino has a little less than a US nickel's width of space between epiphone casino black pickup covers low E string and bridge pickup.
I don't have the problem you mention because when I play the heel of my palm is just above the bridge and the pick strokes are between the two pickups.
For your pick strokes to be hitting the bridge pickup, you've got the heel of your palm way back close to the trapeze tailpiece brace.
I think that is unusual and because fewer people play like that you don't see epiphone casino black pickup covers complaints here.
My two cents is that unless you move your hand position forward, you'd be better off selling it and getting something else.
In general the bridge pickup on these guitars was considered a bit low compared to the neck pickup The ES330 has a spacer to lift the bridge pickup nearer to the strings It is worth checking the overall set-up epiphone casino black pickup covers see if the string height could be raised at the bridge The P90's on Casinos and ES 330's are fixed directly to the top, so there is limited adjustment available.
I was thinking about getting a spacer like the 330 to raise it a https://eronline.ru/black/casino-game-black-red.html, to even things out.
Are the Gibson p90's and Epi p90's the same size, so a spacer would fit either one?
Okay guys, today and yesterday I did some hands-on research and checked out some newer, Chinese-made Casinos at a couple different Guitar Centers.
I concluded that the bridge pickup on my Casino wasn't that much higher and that I may be able to alleviate, if not eliminate the problem, by finally changing the guitar's strings casino black red doing some tinkering.
So, I tightened the truss rod a tiny bit, raised the action and lowered the bridge pickup's magnets to a hair above the cover.
This is what it looks like now: I feel stupid for putting off a simple change of strings and even simpler work but I'm happy to say that it plays perfect now.
I always seem to underestimate the power of a setup.
Thanks for all your help.
Join the conversation You can post now and register later.
If you have an account, to post with your account.
Subscribe Gibson Brands, Inc.
By submitting this form you are agreeing to the and.